The Classics – “(500) Days of Summer”

Welcome back to The Classics and Happy Valentine’s Day! I took a vote on my Facebook over which of my favorite romantic comedies to review and (500) Days of Summer got the highest vote (sorry to those who voted for True Romance).

HEAVY SPOILERS! IF YOU’RE READING AND HAVEN’T SEEN THE MOVIE, GET OFF THE INTERNET AND WATCH THE MOVIE!

A narrator (Richard McGonagle) tells us the story of two young lovers, Tom (Joseph Gordon-Levitt) and Summer (Zooey Deschanel). “This is not a love story. This is a story about love,” the narrator says.

Hopeless romantic Tom becomes smitten over Summer when she overhears him listening to The Smiths and sings along. They become friends, argue philosophical differences in dating, and Summer makes out with him in a copier room, leading to a relationship. However, Summer doesn’t believe in love, which prompts an ongoing conflict between the two.

I first saw (500) Days in college fell in love with the movie instantly. As a naive teen, I understood Tom’s logic. He grew up on romantic pop culture and didn’t quite have a grasp on reality. I didn’t understand the flaws because I was looking for my soulmate.

The thing I love about (500) Days is my interpretation changed over time. I hated Summer when I first saw this film and felt she was toying with Tom’s emotions. As I matured and dated more, I realized Summer was in the right and that Tom is the villain. He’s a guy who needs to date himself to feel whole, leading to self-destructive behavior.

In a scene where his friends set him up on a blind date, Tom bluntly lets his date know he isn’t interested, venting about Summer their entire date. She rightfully ditches Tom in the middle of drunkenly singing The Clash’s “Train in Vain.” Now despite this scene and me saying Tom’s the villain in his relationship, he isn’t a bad person. Neither is Summer! They’re just dumb.

If anything, Tom shows us the flaws, heartbreak, disillusionment, and humor in a relationship. This is done brilliantly in a nonlinear narrative where he’ll list what he loves about Summer then later hate those same things. Tom captures the disillusionment well in a brutally honest monologue when he angrily explodes in a meeting over the realization that everything he believed in is wrong.

Summer on the other hand, doesn’t believe in love because she wants to go with the flow. She believes there’s more to life than dating and that her love can change at any minute. She also grows since she influences Tom to focus on his architecture and changes her views after watching The Graduate. Their brief reunion in the final act is bittersweet as Summer tells Tom he helped her grow (she’s married) and that she wants him to be happy.

By the end of the film, Tom is put together and made peace with the fact that he wasn’t the one for Summer. Though it’s quite obvious by the smug grin on his face after meeting a rival architect Autumn (Minka Kelly) that he’s going to repeat the same mistakes, we still take a good lesson from Tom.

(500) Days is an important romantic comedy because it’s honest; common interests doesn’t make someone “the one,” and expectations and reality are different (another incredible sequence highlights the importance of this)!

I know I’m selling (500) Days as a film about two twisted, selfish people, but this is still a delightful film. I can’t go to Ikea without wanting to reenact the Ikea sequence or listen to “You Make My Dreams Come True” without wanting to break out dancing.

Grade: A+

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