I’m back! After a nice break, let’s kick off the new year by talking about a January horror movie. We all know how great those are.
Set before the events of the first Insidious, paranormal investigator Elise (Lin Shaye) receives a call to investigate an entity that haunts her childhood home. Elise is hesitant, but takes the job to seek closure.
I thoroughly enjoyed the first two Insidious films due to James Wan’s fantastic direction. I missed the third installment, but from watching The Last Key, I figured I wasn’t missing much there. The Last Key shows the franchise is on its last legs. isn’t the worst January horror movie, but it’s still not very good.
What made The Last Key’s predecessors memorable was their fresh spin. The first Insidious had refreshingly colorful demons, a lack of jump scares, a focus on childhood trauma, and one chilling conclusion that kept me wide awake. The Last Key succeeds in expanding on the franchise’s themes of trauma and even adds a realistic spin on possession. Unfortunately, it isn’t the same without Wan directing.
Gun-for-hire director Adam Robitel has an understanding of the franchise’s formula and tone, but he lacks vision. Instead of creating a dreadful atmosphere, we get the cliched rustic house with old toys and books lying around. Rather than building tension with editing, we get abrupt jump scares. Let’s not forget him settling for a long-haired, spider-crawling demon over something more original.
The worst sin Robitel commits though is overkilling the film with awkward humor. Elise’s assistants Tucker (Angus Sampson) and Specs (Leigh Whannell) return. I liked these characters in the previous films due to their witty banter; they spend a majority of their time in The Last Key creepily flirting with Elise’s oblivious nieces. I also found it strange that Elise rarely intervenes.
Writing and directing flaws aside, I slightly enjoyed The Last Key for Shaye’s performance as Elise. It was nice to see Shaye in a meaty role rather than be stooped to a exposition tool (my main issue with the first two films). Still, The Last Key is what I expect out of January: a quick studio cash grab.