The Best Movies Of 2015

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It’s my favorite time of year and my favorite review to write – MY FAVORITE MOVIES (OR FILMS) OF 2015!!!! This year was a solid year, especially in the genre films department. Now I have a couple of disclaimers.

  • I go see at least three or four movies a month, but it’s hard to catch everything. So films on other peoples’ lists like Straight Outta Compton, Room, and Carol won’t be on the list.
  • I really wanted to see The Revenant, but it won’t be out until a week after the new year, so it’s unfortunately not a contender.
  • There are a few movies you’ll see on this list and think, “Hey, why didn’t you review or mention this?” It’s because I either saw them before I launched this blog or after they were released on video.
  • A grade doesn’t mean I have to rank an A+ over an A. There’s even a movie I gave an A+ that’s not on the list at all!

On that note, I have some honorable mentions that didn’t make the cut, but are still worth mentioning:

  • Beasts of No Nation (the only A+ movie not on the list) was a beautiful and harrowing war film about innocence lost, featuring Idris Elba’s finest performance to date.
  • Creed restored my faith in the Rocky franchise, thanks to Michael B. Jordan and Sylvester Stallone.
  • The End of the Tour is the best road trip movie I’ve seen in the last few years and featured Jason Segel’s finest work.
  • Ex-Machina was a disturbing and suspenseful sci-fi thriller that had great commentary on objectification.
  • Kingsman: The Secret Service – was the best spy movie I saw in a year loaded with spy movies, and featured one of the most innovative and memorable fight scenes to date.
  • Trainwreck was a very funny and surprisingly dramatic comedy that introduced me to the talented Amy Schumer.

And now let’s get down to it! My top 10 favorite films of 2015 are:

10) It FollowsIt Follows may have the ridiculous concept of a dark sex comedy, but it’s also a very disturbing commentary on teen sexuality and a strong message to young kids about safe sex.

9) Sicario – Perhaps the darkest and most nihilistic movie on my list, Sicario shines through the darkness, thanks to Denis Villeneuve’s visceral direction and powerful performances from both Emily Blunt and Benicio Del Toro. This is one cartel thriller that isn’t for the faint of heart.

8) The Hateful Eight – Quentin Tarantino’s newest Western is also not for the faint of heart, but still an absolute blast. Part murder mystery and part classical Western, Tarantino’s beautiful direction brings out the best work from its cast, particularly Jennifer Jason Leigh and Walton Goggins.

7) Love & Mercy – I hate music biopics, but Love & Mercy is more of an engaging psychological study of a broken man than a generic Brian Wilson biopic. Paul Dano plays young Wilson with frenetic energy while John Cusack portrays the older fragile version of Wilson in this unique music film.

6) Star Wars: Episode VII – The Force Awakens – Thank you, J.J. Abrams, for giving us a great Star Wars movie for Christmas. New and old blood, nostalgia mixed with more character-driven storytelling, Star Wars ranks among the best Star Wars installments to date.

5) The Martian – Ridley Scott returns to form and directs the year’s most optimistic movie featuring this year’s most likable protagonist, Mark Watney (Matt Damon in his best performance). This is a survival sci-fi tale that will have viewers laughing while engaged in science and disco music.

4) Steve Jobs – Director Danny Boyle and writer Aaron Sorkin crafted the best film that no one saw this year! Shame on the film goers for skipping a visionary fast-paced biopic, featuring a brilliant performance from Michael Fassbender as the titular character.

3) Spotlight – Likely this year’s Best Picture winner, Spotlight is a gripping and important journalism piece that follows people (not heroes or villains) and their struggles writing an investigative piece on molestation in the Catholic Church. Michael Keaton, Mark Ruffalo, and Rachel MacAdams all deliver standout performances as our protagonists.

2) Inside Out – Pixar is back with the very beautiful, funny, and emotional Inside Out. Director Pete Docter (Up, Monster’s Inc.) continues to combine basic genre formulas with innovative storytelling in the form of an animated film. In this case, a disaster movie with insight on emotions.

1) Mad Max: Fury Road – What a film! WHAT A LOVELY FILM! That’s the fanboy part of me talking, but the reason why Mad Max is #1 is because George Miller rebooted his own franchise and topped his previous installments. Between the action sequences with stuntmen and reliance on basic props for visual effects, we rarely get an action movie with as much effort put into it as Mad Max: Fury Road. Also, I can’t remember the last time I saw an action movie that treated an ensemble of female characters as powerful people and passed the Bechdel test. These reasons are enough to please all film goers and not just action fans.

Thanks a bunch for reading this countdown! At the bottom, tell me if you agree or disagree with my list. Also, what was your favorite film of 2015?

 

“Spotlight”

“It’s not just sexual abuse, it’s also spiritual abuse,” a sexual assault survivor tells the Spotlight news team (Michael Keaton, Rachel MacAdams, Mark Ruffalo, & Brian d’Arcy James). This is one of many key lines in “Spotlight” that make it one of the year’s very best films.

It’s 2003 and the Boston Globe has a new editor-in-chief, Marty Baron (Liev Schreiber). An outsider for cultural reasons, he appoints his investigative Spotlight news team led by Robby Robinson (Keaton) to investigate child molestation accusations against the Catholic church. This stirs up personal and societal tensions as Robinson and his team dig deeper into a shocking story bigger than any other story.

Each member of the team has something at risk in writing this story. Robinson’s friendships with several attorneys and detectives become strained. Mark Rezendes (Ruffalo) questions his own religion. Sacha Pfeiffer (MacAdams)  knows her relationships with her priest brother and religious grandmother will be damaged. Matt Carroll (d’Arcy James) discovers a confirmed sex offender priest lives around the corner from his house, but can’t take action until after the story prints.

These conflicts depicted in “Spotlight” are what drive the film into being one hell of a character piece. Brilliant, terrific, important, powerful, and fascinating are just understatements here.

Director Tom McCarthy (“The Station Agent”) uses subtlety to build up tension with background shots of churches during interviews and crosses featured in interview scenes, giving us the impression the Church is watching our heroes. Further emphasis is made as attorney Mitchell Garabedian (Stanley Tucci) reluctantly aids the team, stating the Church is watching him.

Keaton, Tucci, Schreiber, MacAdams, and d’Arcy James all deliver career-defining performances, but Ruffalo steals every scene as the socially withdrawn Rezendes. He’s a loner in the midst of a divorce who becomes increasingly emotional as he gets further invested in the story. I don’t like to say things like this, but Ruffalo deserves an Oscar for his performance.

“Spotlight” is likely the most serious award contender this season, and I strongly urge everyone to give this movie a chance.

Grade: A+

 

“True Detective” – Season 2

DISCLAIMER – I mainly review movies, but I make an exception for mini-series such as “True Detective” since they’re essentially longer movies.

I wish I could say “True Detective” was as brilliant this year as last year. If you guys haven’t seen season one, it featured Matthew McConaughey and Woody Harrelson as Southern detectives investigating a ritualistic murder in the backwoods of Louisiana. It was unpredictable, artistic, innovative, and featured the best work from both Harrelson and McConaughey.

This season trades in mythical Louisiana swamps and backwoods for an industrial and deteriorating city outside Los Angeles. Colin Farrell is the corrupt alcoholic detective, Ray Velcoro, Rachel MacAdams is the debauched Sheriff’s Department investigator, Ani Bezzerides, and Taylor Kitsch is the traumatized ex-soldier Highway Patrolman, Paul Woodraugh. They’re assembled together to investigate the murder of a businessman linked to European gangsters and a reformed criminal-turned-businessman named Frank Semyon (Vince Vaughn).

Each of the detectives are in the case for different reasons. Ray is pressured by his more crooked superiors and Frank (Ray is Frank’s enforcer) to solve the murder and cover up his department’s involvement, Ani is put in charge due to rank, and Paul is enlisted to avoid a scandal involving a young actress. Trust issues ensue among the four characters as they uncover shady business deals, a mob-hosted sex party, and the truth behind a rare bag of diamonds.

Let’s start with the positives of “True Detective” this season – Rachel MacAdams delivers a raw and badass performance, Taylor Kitsch proves he’s one of the most dedicated actors of his generation, and the soundtrack packs a deeper narrative.

Singer Lera Lynn wrote and performed several songs for this season and each song tells us something about the characters and the world they’re in. T-Bone Burnett returns as head composer with a synthesizer-heavy score that emphasizes the Neo-Noir style.

This season also features some of the craziest and bloody gunfights I’ve seen in any TV show or movie, including one in episode 4 that’s strongly reminiscent of Michael Mann’s “Heat” (1995). However, this is where criticisms come in. The shootouts escalate out of nowhere and seem like Pizzolatto’s trying to outdo season 1’s craziest moments.

Let’s talk Colin Farrell and Vince Vaughn here – they’re both clearly trying to deliver this season and both actors have some solid moments this season, but they’re both given the show’s worst dialogue that’s on par with “Star Wars: Episode I” level of quality. “Don’t do anything out of hunger, even eat.” –Vince Vaughn as Frank.

“Twelve years old my ass… fuck you.” –Colin Farrell as Ray.

Yeah, I’m just as flabbergasted as you are. The show also suffers from several genre cliches, pacing issues, and uncertainties with direction. The pacing and direction is likely attributed to the show having several different directors this season, as opposed to last (Cary Fukanaga directed all of season one).

The cliches are all painful and overdone with Ray as the cop who’s embraced corruption (like Russell Crowe and Kevin Spacey in “LA Confidential (1997)) and Ani portrayed as a sexually troubled cop with a dysfunctional family (this has been seen with too many female detective characters to name).

SPOILER ALERT – It was no shock that these two would somehow fall for each other abruptly by the end.

MORE SPOILERS

The way Pizzolatto portrays women and homosexuals is tasteless and amateur here. Ani and her sister are both kinky due to a traumatic encounter in their childhood? Paul is a closeted homosexual with an incestuous mother? Frank’s wife does nothing but act concern for him? This all looks like Pizzolatto read half a page of a human sexuality textbook and wrote his few notes into the script.

The biggest disappointment though is the ending. The revelation of the killer isn’t epic or shocking, but rather anti-climactic and quickly resolved before turning back to the corruption story. I wanted to know more about the killer, dammit!

I mean, I’m all for trying something new with anthologies, but execution matters. This just wasn’t well executed as it could have been.

Grade: C