“X-Men: Apocalypse”

I chuckled at a semi-meta quote in “X-Men: Apocalypse;” when Jean Grey (Sophie Turner) exits “Return of the Jedi,” she utters, “At least we can all agree the third installment is the weakest.” Because “Apocalypse” is the weakest of the new “X-Men” trilogy.

“Apocalypse” takes place ten years after “Days of Future Past,” and Professor X (James McAvoy) has turned his house into the Mutant Academy. Meanwhile, Magneto (Michael Fassbender) has settled down, whereas Mystique (Jennifer Lawrence) is a mutant anti-hero, rescuing troubled mutants and starting new lives for them.

The trio are of course brought together when a god-like mutant Apocalypse (Oscar Isaac) surfaces and recruits mutants for world domination. This brings us to an introduction to a young Cyclops (Tye Sheridan) and Nightcrawler (Kodi Smit-McPhee), as well as a reunion with Beast (Nicholas Hoult), Quicksilver (Evan Peters), Havoc (Lucas Till), and Wolverine (Hugh Jackman).

It’s safe to say that while “X-Men: Apocalypse” is the weakest one of the new trilogy and very mediocre, it’s not the worst of the franchise (that goes to “The Last Stand”). The first half suffers from the most problems.

MILD SPOILERS AHEAD!!!

The first half of the film is all buildup and exposition, but it lacks focus and steady pacing to keep it interesting in most of the segments. Magneto’s story is by far the most interesting, as we understand why he’s reverted back to his old ways. The second half feels much like “Days of Future Past,” and I mean that in a good way.

Quicksilver once again has a visually impressive and fun sequence, stealing the show from everyone; this scene even tops his scene in “Days of Future Past.” For those who saw the trailer and caught a glimpse of Wolverine’s scene,  that sequence tops his mansion fight in “X2.” There are also some innovative and surreal sequences reminiscent of “Inception” that take place inside Professor X’s head, which is funny because those sequences were originally supposed to be in “First Class.”

Acting wise, the main cast does a great job as usual. I was impressed with Turner and Sheridan’s portrayal of Jean Grey and Cyclops as the angsty young lovers who stand by each other. Sadly, Oscar Isaac’s portrayal of Apocalypse and the character’s development were disappointing.

Apocalypse is a less entertaining version of Ultron from “Avengers: Age of Ultron.” These two have the same goal: recruit a group of followers, destroy the world while making their followers believe they’re saving it, and find a new body? It’s the same motivation as Ultron! Isaac also lacks charisma in this performance, and it’s sad because this is Poe Dameron from “Star Wars.”

Another small nitpick I had was that “First Class” was a spy movie and “Days of Future Past” was a time travel movie, so both had very thick plots and broad ideas; however, “Apocalypse” is simply a disaster movie, so there isn’t as much imagination as there could have been. Yet I was still entertained because of the cast and a few memorable sequences. Kudos for that!

Grade: B

“Star Wars: Episode VII – The Force Awakens” (Spoiler Free)

I won’t fanboy over “Star Wars: Episode VII – The Force Awakens”. I won’t spoil anything whilst talking about “Star Wars: Episode VII – The Force Awakens”. I’ll say that it’s good to read, “A long time ago in a galaxy far, far away,” again.

“The Force Awakens” follows the Resistance over thirty years after the events of “Return of the Jedi”, and they’re now up against the First Order led by dark master Kylo Ren (Adam Driver) and General Hux (Domnhall Gleeson). They’re in pursuit of resistance pilot Poe Dameron (Oscar Isaac) and his droid, BB-88 for mysterious reasons.

Thrown in the middle, are a rogue storm trooper named Finn (John Boyega) and a young scavenger named Rey (Daisy Ridley) who become the franchise’s new heroes while aided by our classic heroes, Han Solo (Harrison Ford) and Chewbacca.

I don’t want to spoil anything for the people who haven’t seen this movie, but this film is great. Director JJ Abrams has brought new life into the series while paying tribute to the classic trilogy.

Abrams doesn’t rely on CGI and lackluster camera tilts like prequels. He’s gone back to the original aesthetics with props, limited CGI, and innovative camera movements. He even restrained himself on lens flare, which was nice.

Abrams co-wrote the script with Michael Arndt (“Toy Story 3”) and Lawrence Kasdan (the original “Star Wars” trilogy) and they’ve crafted an exciting and beautiful story. There’s limited dialogue, but we get a sense of who Rey and Finn are through their expressions and possessions.

Rey is the star of “The Force Awakens” and Ridley brings great spirit to the character. She’s spunky, fearless, and destined for greatness. Finn is a vulnerable and redeemable character who isn’t afraid to take on any adversaries.

Kylo Ren is also a human villain, but perhaps a tad whiny (my biggest complaint with the movie), but his background and development make up for the whining he does later. I can’t wait to see more of him.

My favorite new character in the new trilogy is Poe. He’s cool and noble, and has a human-pet relationship with BB-88 that brings some charm to the film.

I’ll also say that it was great to see my favorite childhood characters Han and Chewy back together on the big screen, but I think I liked them more in this movie than the original ones. Han has more depth in his old age while maintaining the attitude that originally made him a badass.

That’s what’s great about this movie. For the first time, this is a “Star Wars” movie where there aren’t good guys and bad guys; there are flawed people.

Flaws? Well, sure, there are a few. The climactic setting isn’t as cool as it could have been, and the storm trooper Captain Phasma (Gwendoline Christie) gets the Boba Fett treatment (NOT A SPOILER – she’s just hyped and has limited screen time). Good news is we still have two more movies to explore her character.

“Star Wars” will break box office records and it should. This is a film that I didn’t want originally (the prequels, you know?). I was skeptical of Abrams directing, but he left me smiling for a great two hours.

Grade: A