We’re only two months into 2018 and I’ve already seen two movies that will most likely be on my best of the year list. The first was last week’s exceptional Black Panther; the second is Alex Garland’s (Ex-Machina) latest sci-fi thriller, Annihilation.
Biologist Lena (Natalie Portman) is stunned when her missing husband, Kane (Oscar Isaac) arrives home ill. Shortly after, both taken to a military base outside a mysterious portal called “The Shimmer.” Lena then joins an expedition led by Doctor Ventriss (Jennifer Jason Leigh) into The Shimmer to find answers; however, the laws of nature and physics don’t apply in The Shimmer.
Annihilation is a great example of a film with a mediocre trailer that throws you off guard. I expected a standard B-movie filled with more gore than ideas. There are a couple of gory moments reminiscent of The Thing and Alien, but Annihilation has lots to say. This is a provocative mindtrip.
We don’t get all the answers to what The Shimmer is or its purpose, but Garland trusts the audience enough to make their own interpretations. For me, The Shimmer feeds off of self-destruction. We learn Lena, Ventriss, and the other explorers’ back stories as they encounter mutant creatures and witness The Shimmer grow; none of these characters have an optimistic look on life.
Portman and Leigh both deliver grounded, complex performances as Lena and Ventriss. We see that they’re not only terrified by The Shimmer, but also mesmerized. Tessa Thompson (Valkyrie in Thor: Ragnarok) is also terrific as Radek, a depressed physicist who has a spiritual view of The Shimmer.
Garland shows growth with Annihilation. Ex-Machina was just as narratively intriguing and challenging, but Annihilation is far more ambitious and contains more attention-to-detail. Between composer duo Ben Salisbury and Geoff Barrow’s transition from a calm acoustic guitar to a menacing synthesizer and the simultaneously beautiful and nightmarish imagery, Garland creates a haunting world filled with beauty and terror.
Annihilation is one of the few sci-fi films of this decade that I’ll call an instant classic. It ranks with The Thing and Alien as one of the best sci-fi/body horror mashups of all time.