“The Cloverfield Paradox”

“Paradox” is a well-suited pronoun for The Cloverfield Paradox, considering it doesn’t answer the questions it was supposed to.

Like in Lost in Space and Danny Boyle’s great Sunshine, Earth is suffering an energy crisis, prompting a space odyssey. Like in Sunshine, GravityMoon, and Life, the crew members are grieving, withdrawn, and headstrong. We have an astronaut who lost her kids (Gugu Mbatha-Raw), a scientist who prefers being in space over Earth (Daniel Brühl), and a noble captain with a military background (David Oyelowo). There’s also the wisecracker (Chris O’Dowd), an astronaut who loses his mind (Aksel Hennie), and a caricature (the talented and underused Zhang Ziyi).

Like in Event Horizon, the crew travels into another dimension, then the crew turns on each other, the ship becomes possessed, and a giant monster attacks Earth. None of this is explained other than they went into an alternate dimension.

I admire the Cloverfield franchise because we don’t have many anthological film franchises and the previous entries were unique. Cloverfield combined the found footage and giant monster genres, resulting in a thrilling experience. 10 Cloverfield Lane established the film’s anthological style by acting as a psychological horror film set in the same universe (it’s the best of the trilogy). Paradox tries to establish a chronology to no avail.

SPOILERS OF PREVIOUS FILMS AHEAD!

Cloverfield was set in 2008 and revolves around a monster attack. 10 Cloverfield Lane isn’t clear on when it’s set, but an alien invasion occurs. There were also small references in 10 Cloverfield Lane implying they’re in the same universe. Paradox has some small connections such as featuring a minor character from 10 Cloverfield Lane and featuring the Cloverfield monster.

However, if the film takes place in 2028, why is this monster attack happening without any reference to Cloverfield? This is due to a bad move on the studio’s part – turning a movie last minute in to the newest Cloverfield movie.

Paradox was originally titled God’s Particle and had no mention of Cloverfield until J.J. Abrams purchased the film and ordered rewrites and re-shoots to fit in the Cloverfield universe. Given that Paradox was already riddled with cliches and lazy writing, it wouldn’t have been any better, but it would have at least been more contained.

Because of the studio interference and setbacks, Paradox is overstuffed with too many ideas, conflicting tones, and cliched characters. I would have liked to know why a character’s severed arm came to life and how the ship became possessed rather than focus on a monster attack that was better executed in the first Cloverfield film.

In terms of film making, Paradox is amateur. It’s dimly lit with no color scheme, we have characters tell us what we’re seeing as it’s happening, and we even get a cheesy opening credits sequence that belongs in a 1990’s sci-fi channel show. Well, at least the cast tries.

I’m worried about genre films at this point; Netflix bought Paradox since Paramount had a packed schedule this year and studios are already selling films to Netflix for “similar reasons.” Do they really have packed schedules, or are they turning Netflix into the dumpster diver?

Grade: D- (only because the cast tries).

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The Best Movies Of 2015

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It’s my favorite time of year and my favorite review to write – MY FAVORITE MOVIES (OR FILMS) OF 2015!!!! This year was a solid year, especially in the genre films department. Now I have a couple of disclaimers.

  • I go see at least three or four movies a month, but it’s hard to catch everything. So films on other peoples’ lists like Straight Outta Compton, Room, and Carol won’t be on the list.
  • I really wanted to see The Revenant, but it won’t be out until a week after the new year, so it’s unfortunately not a contender.
  • There are a few movies you’ll see on this list and think, “Hey, why didn’t you review or mention this?” It’s because I either saw them before I launched this blog or after they were released on video.
  • A grade doesn’t mean I have to rank an A+ over an A. There’s even a movie I gave an A+ that’s not on the list at all!

On that note, I have some honorable mentions that didn’t make the cut, but are still worth mentioning:

  • Beasts of No Nation (the only A+ movie not on the list) was a beautiful and harrowing war film about innocence lost, featuring Idris Elba’s finest performance to date.
  • Creed restored my faith in the Rocky franchise, thanks to Michael B. Jordan and Sylvester Stallone.
  • The End of the Tour is the best road trip movie I’ve seen in the last few years and featured Jason Segel’s finest work.
  • Ex-Machina was a disturbing and suspenseful sci-fi thriller that had great commentary on objectification.
  • Kingsman: The Secret Service – was the best spy movie I saw in a year loaded with spy movies, and featured one of the most innovative and memorable fight scenes to date.
  • Trainwreck was a very funny and surprisingly dramatic comedy that introduced me to the talented Amy Schumer.

And now let’s get down to it! My top 10 favorite films of 2015 are:

10) It FollowsIt Follows may have the ridiculous concept of a dark sex comedy, but it’s also a very disturbing commentary on teen sexuality and a strong message to young kids about safe sex.

9) Sicario – Perhaps the darkest and most nihilistic movie on my list, Sicario shines through the darkness, thanks to Denis Villeneuve’s visceral direction and powerful performances from both Emily Blunt and Benicio Del Toro. This is one cartel thriller that isn’t for the faint of heart.

8) The Hateful Eight – Quentin Tarantino’s newest Western is also not for the faint of heart, but still an absolute blast. Part murder mystery and part classical Western, Tarantino’s beautiful direction brings out the best work from its cast, particularly Jennifer Jason Leigh and Walton Goggins.

7) Love & Mercy – I hate music biopics, but Love & Mercy is more of an engaging psychological study of a broken man than a generic Brian Wilson biopic. Paul Dano plays young Wilson with frenetic energy while John Cusack portrays the older fragile version of Wilson in this unique music film.

6) Star Wars: Episode VII – The Force Awakens – Thank you, J.J. Abrams, for giving us a great Star Wars movie for Christmas. New and old blood, nostalgia mixed with more character-driven storytelling, Star Wars ranks among the best Star Wars installments to date.

5) The Martian – Ridley Scott returns to form and directs the year’s most optimistic movie featuring this year’s most likable protagonist, Mark Watney (Matt Damon in his best performance). This is a survival sci-fi tale that will have viewers laughing while engaged in science and disco music.

4) Steve Jobs – Director Danny Boyle and writer Aaron Sorkin crafted the best film that no one saw this year! Shame on the film goers for skipping a visionary fast-paced biopic, featuring a brilliant performance from Michael Fassbender as the titular character.

3) Spotlight – Likely this year’s Best Picture winner, Spotlight is a gripping and important journalism piece that follows people (not heroes or villains) and their struggles writing an investigative piece on molestation in the Catholic Church. Michael Keaton, Mark Ruffalo, and Rachel MacAdams all deliver standout performances as our protagonists.

2) Inside Out – Pixar is back with the very beautiful, funny, and emotional Inside Out. Director Pete Docter (Up, Monster’s Inc.) continues to combine basic genre formulas with innovative storytelling in the form of an animated film. In this case, a disaster movie with insight on emotions.

1) Mad Max: Fury Road – What a film! WHAT A LOVELY FILM! That’s the fanboy part of me talking, but the reason why Mad Max is #1 is because George Miller rebooted his own franchise and topped his previous installments. Between the action sequences with stuntmen and reliance on basic props for visual effects, we rarely get an action movie with as much effort put into it as Mad Max: Fury Road. Also, I can’t remember the last time I saw an action movie that treated an ensemble of female characters as powerful people and passed the Bechdel test. These reasons are enough to please all film goers and not just action fans.

Thanks a bunch for reading this countdown! At the bottom, tell me if you agree or disagree with my list. Also, what was your favorite film of 2015?

 

“Star Wars: Episode VII – The Force Awakens” (Spoiler Free)

I won’t fanboy over “Star Wars: Episode VII – The Force Awakens”. I won’t spoil anything whilst talking about “Star Wars: Episode VII – The Force Awakens”. I’ll say that it’s good to read, “A long time ago in a galaxy far, far away,” again.

“The Force Awakens” follows the Resistance over thirty years after the events of “Return of the Jedi”, and they’re now up against the First Order led by dark master Kylo Ren (Adam Driver) and General Hux (Domnhall Gleeson). They’re in pursuit of resistance pilot Poe Dameron (Oscar Isaac) and his droid, BB-88 for mysterious reasons.

Thrown in the middle, are a rogue storm trooper named Finn (John Boyega) and a young scavenger named Rey (Daisy Ridley) who become the franchise’s new heroes while aided by our classic heroes, Han Solo (Harrison Ford) and Chewbacca.

I don’t want to spoil anything for the people who haven’t seen this movie, but this film is great. Director JJ Abrams has brought new life into the series while paying tribute to the classic trilogy.

Abrams doesn’t rely on CGI and lackluster camera tilts like prequels. He’s gone back to the original aesthetics with props, limited CGI, and innovative camera movements. He even restrained himself on lens flare, which was nice.

Abrams co-wrote the script with Michael Arndt (“Toy Story 3”) and Lawrence Kasdan (the original “Star Wars” trilogy) and they’ve crafted an exciting and beautiful story. There’s limited dialogue, but we get a sense of who Rey and Finn are through their expressions and possessions.

Rey is the star of “The Force Awakens” and Ridley brings great spirit to the character. She’s spunky, fearless, and destined for greatness. Finn is a vulnerable and redeemable character who isn’t afraid to take on any adversaries.

Kylo Ren is also a human villain, but perhaps a tad whiny (my biggest complaint with the movie), but his background and development make up for the whining he does later. I can’t wait to see more of him.

My favorite new character in the new trilogy is Poe. He’s cool and noble, and has a human-pet relationship with BB-88 that brings some charm to the film.

I’ll also say that it was great to see my favorite childhood characters Han and Chewy back together on the big screen, but I think I liked them more in this movie than the original ones. Han has more depth in his old age while maintaining the attitude that originally made him a badass.

That’s what’s great about this movie. For the first time, this is a “Star Wars” movie where there aren’t good guys and bad guys; there are flawed people.

Flaws? Well, sure, there are a few. The climactic setting isn’t as cool as it could have been, and the storm trooper Captain Phasma (Gwendoline Christie) gets the Boba Fett treatment (NOT A SPOILER – she’s just hyped and has limited screen time). Good news is we still have two more movies to explore her character.

“Star Wars” will break box office records and it should. This is a film that I didn’t want originally (the prequels, you know?). I was skeptical of Abrams directing, but he left me smiling for a great two hours.

Grade: A