Aubrey Plaza needs more dramatic work. #Ingridgoeswest.
Plaza plays Instagram stalker, Ingrid. After a stint at a mental hospital, Ingrid becomes obsessed with Instagram model Taylor Sloane (Elizabeth Olsen) and moves to Los Angeles, stalking Taylor in the process. They become friends (Taylor’s oblivious to Ingrid’s behavior), but what happens when Taylor’s punk brother Nicky (Billy Magnussen) enters the picture? Also, who’s really the villain?
Ingrid Goes West starts as a sharp, darkly funny satire. With its jabs at hipster culture and avocado toast, I found a few good laughs. I also was blown away by Plaza’s brave performance as Ingrid. She’s funny, scary, sad, and brutally honest.
Ingrid is a complex character ; an unhinged person who wants what we all want – happiness. Can we blame her for leaving behind her old life for a better one in California? Despite the wrong reasons, no.
Olsen also turns in another great performance this year (check out her work in Wind River). As Taylor, Olsen plays the phony celebrity gracefully. Taylor’s friendship with Ingrid is one-sided and we can see that Taylor only hangs out with her for her own benefit. We root for Ingrid since she’s too delusional to see Taylor’s true colors.
The satirical edge fades in the second half as Ingrid Goes West turns into a standard romantic comedy. Give me less of Ingrid’s relationship with the Batman fanboy Dan (O’Shea Jackson Jr.) and more of the psycho thriller/dark comedy moments. Dan starts as a sweet, quirky love interest, but after the millionth Batman Forever reference, I got bored of their romance.
Ingrid Goes West briefly returns to its dark roots in the final act with a strong message on social media and loneliness. It’s just unfortunate that it went off the rails in its uneven second act. Regardless, I still recommend Ingrid Goes West for Plaza and Olsen alone.