The 2017 Half-Time Report

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Hey, guys! First off, I want to say thank you for a great year and supporting Donttalkaboutmovies. This year has been an exciting year in film and you guys motivate me to keep watching movies! On that note, I want to give you guys the half-time report! This is a quick summary of my favorite (and least favorite) movies are so far this year.

In the Action/Adventure category, I was blown away by Edgar Wright’s jukebox musical heist thriller, Baby Driver. This is a candy-colored adrenaline rush that’s music to my ears and better on the second viewing. On the other hand, you can skip King Arthur: Legend of the Sword because it’s quite obvious Guy Ritchie has lost his way.

The Comedy genre has been lacking this year with lackluster films like Rough Night and Sandy Wexler; nonetheless, The Big Sick is a terrific comedy that hits all the right notes as a comedy, romance, drama, and social commentary film.

For the Horror genre, Get Out is king of 2017’s horror roster thus far. Writer/director Jordan Peele has crafted a funny, scary, and provocative horror film about racism. You can skip The Void, Unforgettable, The Belko Experiment, and The Mummy because those were all duds.

The Superhero genre has been booming lately and I can personally recommend Logan, Wonder Woman, Guardians of the Galaxy Vol. 2, and Spider-Man: Homecoming. Each movie is great in their own way, but definitely keep Logan away from younger viewers.

The Science Fiction/Fantasy category has been a tad underwhelming, but the Anne Hathaway-helmed Colossal blew my expectations out of the water. If you want a quirky genre movie that explores characters and darker themes, this one’s for you!

I have been slacking in the Drama category this year, but I still found Danny Boyle’s long-waited T2: Trainspotting to be a fun and stylish sequel about nostalgia.

In terms of animation, I’m still telling people to watch the anime film Your Name. I saw this on a whim and don’t regret it, thanks to its beautiful animation and mind-bending narrative.

Thanks for reading! What are your favorite films you’ve seen so far this year?

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Special 100th Post!

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It’s my 100th post! It’s hard to believe that in summer of 2015, I launched Donttalkaboutmovies.net with my review of Jurassic World. I want to thank everyone who’s followed my site since then, and I have a special treat.

I took a voting poll last month on what my readers wanted between an about me story and a top 10 all-time favorite movies countdown. Since I honor the popular vote, let the countdown begin!

10) Drive (Dir. Nicolas Winding Refn) (2011) – I saw this film in theaters, expecting a cool thriller with Ryan Gosling as a charming criminal. Drive is more than that. It’s a tribute to 80’s Neo-Noir, the French New Wave era, and even Slasher films. Gosling has received criticism for playing quiet characters, but his facial expressions highlight a number of the Driver’s emotions. He’s charming, awkward, protective, loyal, sad, and violent, making  the Driver one of the most complex characters in recent years.

9) Blade Runner (Dir. Ridley Scott) (1982) – Blade Runner is a science fiction film I see something new about every time I watch it. It’s not only an artsy hybrid of science fiction and Neo-Noir, it’s a commentary on death, life, and existentialism. Harrison Ford’s on-set misery bolsters Deckard’s own moral ambiguity. Without Blade Runner, we wouldn’t have been introduced to Christopher Nolan or Denis Villeneuve.

8) Se7en (Dir. David Fincher) (1995) – Okay, so I like Neo-Noir, but Se7en is more a horror film to me. Brad Pitt and Morgan Freeman’s buddy cop chemistry adds much-needed charm to this grim tale of nihilism. Special shout out to the iconic “What’s in the box?” scene, and its legacy.

7) The Dark Knight (Dir. Christopher Nolan) (2008) – I honestly have nothing special to say about The Dark Knight that other people haven’t already said. I will say it’s an epic superhero film that set the standard for modern superhero and action films, but you probably heard that already.

6) Aliens (Dir. James Cameron) (1986) – Aliens is the action film that both thrilled and terrified me. I first saw Aliens when I was nine, and my dad regretted letting me watch it then (lots of nightmares). From today’s standing point, I admire Aliens because it pulled off the near-impossible task of topping Alien. Alien is a brilliantly artistic horror film, while Aliens is a nonstop action-packed ride. Sure, it’s funnier and lighter than Alien, but it still maintains Alien’s fierce horror and shocking gore effects. Game over, man!

5) The Thing (Dir. John Carpenter) (1982) – The Thing, along with Carpenter’s other films, is part of my annual October horror marathon. It’s sad Carpenter’s career nearly ended due to The Thing’s financial losses. This is a horror film with gruesome effects, a cynical tone, and one of my favorite morally ambiguous endings.

4) Boogie Nights (Dir. Paul Thomas Anderson) (1997) – Paul Thomas Anderson is one of the greatest filmmakers. He makes an epic ensemble comedy reminiscent of Scorsese and Kubrick’s finest works. Anderson also has a talent for taking rather mediocre actors and directing top-notch performances out of them (Mark Wahlberg and Burt Reynolds in this case).

3) True Romance (Dir. Tony Scott) (1993) – My compatibility test film is also Quentin Tarantino’s best film of his filmography. I know he didn’t direct True Romance, but this Bonnie & Clyde-esque film has his charm, dark humor, and sharp dialogue. It’s a brilliant blend of romantic comedy, crime, and action genres, and it’s also my favorite romantic comedy.

2) The Big Lebowski (Dir. The Coen Brothers) (1998) – Jeff Bridges’s The Dude is my movie role model. The Coen Brothers combine Film Noir with Stoner Comedy and Art-House film, creating a surreal and hilarious experience. I’m still grateful my mom showed me The Big Lebowski. The Dude abides!

1) Fight Club (Dir. David Fincher) (1999) – Fincher made Se7en, Zodiac, and The Social Network, but Fight Club is his masterpiece. It’s a transgressive work of art, bringing out the best in both Brad Pitt and Edward Norton. In a way, it’s underrated because without Fincher’s vision, we wouldn’t have gotten other great works like USA’s Mr. Robot. I wouldn’t have gotten into film without Fight Club.

Honorable Mentions: The Departed, Toy Story, The Shining, Inglourious Basterds, Shaun of the Dead, and There Will Be Blood.

Thanks again for taking the time to read this post, along with the remaining donttalkaboutmovies posts. Stay tuned!