Daniel Craig’s bleached head faces Channing Tatum and Adam Driver in “Logan Lucky.”
I figured I’d write a fun countdown leading up to my best films. These are films that either underperformed at the box office or panned by critics, but films I still thoroughly enjoyed. Here are my top five watchable flops!
5) Justice League – I expected Justice League to flop given the DCEU’s track record. Thanks to Joss Whedon stepping in (though under unfortunate circumstances), Justice League was a fun adventure movie instead of more destruction porn. Also, kudos to Whedon for finally getting Superman right!
4) Colossal – This quirky indie film was sadly overlooked last April. Colossal is part dark comedy and part giant monster movie, focusing on two self-destructive characters (played wonderfully by Anne Hathaway and Jason Sudeikis). That’s all I’ll say without spoiling Colossal.
3) Power Rangers – As a 90’s kid, I had some serious excitement for the new take on Power Rangers. I was pleasantly surprised with the movie’s craftsmanship, the ensemble performances, and the film taking on social issues without pulling too hard on my heart strings. Power Rangers is a lighthearted superhero movie that never takes itself too seriously.
2) Alien: Covenant – I get why some fans loved Alien: Covenant (it was arguably the best Alien film in 30 years) and I get why some fans hated it (what was the tone?). I enjoyed Alien: Covenant specifically because it explored the androids’ mythology, depicting them as gods to the xenomorphs. Perhaps people wouldn’t have been disappointed if the film were titled Android?
1) Logan Lucky – Steven Soderbergh’s directorial return is a blast. Think of Logan Lucky as a satirical version of Ocean’s 11, but in the South. It’s a shame Logan Lucky flopped since it’s one of the funniest heist films and features a great comedic performance from Daniel Craig.
What were your favorite underrated movies of 2017?
Self-destructive behavior is toxic and harmful to others. Especially when you’re self-destructive and control a Kaiju. Wait, what?
“Colossal” stars Anne Hathaway as Gloria. She’s an unemployed alcoholic who’s boyfriend Tim (Dan Stevens) dumps her. She returns to her hometown and befriends bar owner Oscar (Jason Sudeikis) and his pals Joel (Austin Stowell) and Garth (Tim Blake Nelson), indulging in several binders.
Meanwhile, a Kaiju surfaces and attacks South Korea. Gloria’s further alarmed when she discovers she’s the one who controls this creature and has to right her wrongs. Oscar and Tim both stand in her way, creating humor and tension.
“Colossal” was advertised as a sci-fi comedy, but don’t be fooled. This is NOT a comedy, but a character study. Gloria’s drinking and selfish behavior hurt Tim and Oscar while her creature moments devastate a whole country. The creature is a metaphor for self-loathing; who knew a giant monster movie could have such strong social commentary?
Oscar and Tim aren’t saints either. Oscar depends on Gloria and controls her, making himself feel better. Tim, on the other hand, critiques Gloria for her behavior but condescends her choices she makes in pulling herself together. He clearly has high expectations of her that aren’t met.
Hathaway plays Gloria gracefully, heightening the character’s flaws and noble intentions with humor and emotion. Sudeikis delivers one of his best performances as Oscar. He’s pathetic and abusive, but also tragic and occasionally funny (he steals one scene with fireworks and a monologue about irresponsibility). That’s not easy to accomplish.
Writer/director Nacho Vigalondo transitions “Colossal” between several genres smoothly without force. The creature effects are impressive on a small budget and even the dramatic moments are shot like a monster movie. Audiences will be divided over “Colossal” because some viewers will praise it for its depth and others will criticize it for being misleading. All I say is give “Colossal” a chance.