“True Detective” – Season 2

DISCLAIMER – I mainly review movies, but I make an exception for mini-series such as “True Detective” since they’re essentially longer movies.

I wish I could say “True Detective” was as brilliant this year as last year. If you guys haven’t seen season one, it featured Matthew McConaughey and Woody Harrelson as Southern detectives investigating a ritualistic murder in the backwoods of Louisiana. It was unpredictable, artistic, innovative, and featured the best work from both Harrelson and McConaughey.

This season trades in mythical Louisiana swamps and backwoods for an industrial and deteriorating city outside Los Angeles. Colin Farrell is the corrupt alcoholic detective, Ray Velcoro, Rachel MacAdams is the debauched Sheriff’s Department investigator, Ani Bezzerides, and Taylor Kitsch is the traumatized ex-soldier Highway Patrolman, Paul Woodraugh. They’re assembled together to investigate the murder of a businessman linked to European gangsters and a reformed criminal-turned-businessman named Frank Semyon (Vince Vaughn).

Each of the detectives are in the case for different reasons. Ray is pressured by his more crooked superiors and Frank (Ray is Frank’s enforcer) to solve the murder and cover up his department’s involvement, Ani is put in charge due to rank, and Paul is enlisted to avoid a scandal involving a young actress. Trust issues ensue among the four characters as they uncover shady business deals, a mob-hosted sex party, and the truth behind a rare bag of diamonds.

Let’s start with the positives of “True Detective” this season – Rachel MacAdams delivers a raw and badass performance, Taylor Kitsch proves he’s one of the most dedicated actors of his generation, and the soundtrack packs a deeper narrative.

Singer Lera Lynn wrote and performed several songs for this season and each song tells us something about the characters and the world they’re in. T-Bone Burnett returns as head composer with a synthesizer-heavy score that emphasizes the Neo-Noir style.

This season also features some of the craziest and bloody gunfights I’ve seen in any TV show or movie, including one in episode 4 that’s strongly reminiscent of Michael Mann’s “Heat” (1995). However, this is where criticisms come in. The shootouts escalate out of nowhere and seem like Pizzolatto’s trying to outdo season 1’s craziest moments.

Let’s talk Colin Farrell and Vince Vaughn here – they’re both clearly trying to deliver this season and both actors have some solid moments this season, but they’re both given the show’s worst dialogue that’s on par with “Star Wars: Episode I” level of quality. “Don’t do anything out of hunger, even eat.” –Vince Vaughn as Frank.

“Twelve years old my ass… fuck you.” –Colin Farrell as Ray.

Yeah, I’m just as flabbergasted as you are. The show also suffers from several genre cliches, pacing issues, and uncertainties with direction. The pacing and direction is likely attributed to the show having several different directors this season, as opposed to last (Cary Fukanaga directed all of season one).

The cliches are all painful and overdone with Ray as the cop who’s embraced corruption (like Russell Crowe and Kevin Spacey in “LA Confidential (1997)) and Ani portrayed as a sexually troubled cop with a dysfunctional family (this has been seen with too many female detective characters to name).

SPOILER ALERT – It was no shock that these two would somehow fall for each other abruptly by the end.

MORE SPOILERS

The way Pizzolatto portrays women and homosexuals is tasteless and amateur here. Ani and her sister are both kinky due to a traumatic encounter in their childhood? Paul is a closeted homosexual with an incestuous mother? Frank’s wife does nothing but act concern for him? This all looks like Pizzolatto read half a page of a human sexuality textbook and wrote his few notes into the script.

The biggest disappointment though is the ending. The revelation of the killer isn’t epic or shocking, but rather anti-climactic and quickly resolved before turning back to the corruption story. I wanted to know more about the killer, dammit!

I mean, I’m all for trying something new with anthologies, but execution matters. This just wasn’t well executed as it could have been.

Grade: C

“Mission: Impossible – Rogue Nation”

Tom Cruise is a maniac. Does he have a death wish when he swims under water for several minutes with no oxygen tank? Is he trying to gain attention by hanging on the side of a flying cargo plane? All I know is I respect the crap out of him for his commitment to his work; especially in the “Mission: Impossible” movies.

“Mission: Impossible – Rogue Nation” is the fifth installment in the “M:I” franchise and has Cruise returning as Ethan Hunt, alongside Jeremy Renner’s Brandt, Simon Pegg’s Benji, and Ving Rhames’s Luther. The plot is fairly similar to the first and fourth installments since Hunt and his team are evading officials while tracking down a terrorist organization known as The Syndicate.

I’m a big fan of the “Mission: Impossible” franchise and grew up watching these movies. I watched “Mission: Impossible” (1996) several times when I was a kid, “Mission: Impossible 2” (2000) is a stupid-yet-enjoyable sequel, “Mission: Impossible III” (2006) is the best revenge spy thriller since “License to Kill” (1989), and “Ghost Protocol” (2011) is a brilliant spectacle piece that had audiences taking Tom Cruise seriously again. Cruise once again proves in “Rogue Nation” why he’s one of the best action stars of all time.

Cruise keeps us on the edge of our seats between his aerobics, stunt driving, fight sequences, and his motorcycle chase. We all know about that now iconic plane stunt from the trailers, but the best part is, that’s not even the BEST action sequence! I won’t tell you what is because it’s too hard to choose!

The film is also suspenseful without action sequences and at times feels like the first “M:I” movie as characters betray each other, and bypass high-tech security systems. Remember that scene in this year’s spy tribute “Kingsman” where Colin Firth and Samuel L Jackson discuss spy movies? Where Firth says the old spy movies had sillier far-fetched plots while the newer ones are more serious? “Rogue Nation” is equally measured in silliness and intensity.

We also get dramatic scene-stealing work from Simon Pegg, Rebecca Ferguson is the strongest female character we’ve gotten in this series as a femme-fatale rogue operative, and Sean Harris (one of the dummies who gets killed in the cave scene in “Prometheus” (2012)) plays a subtle and menacing villain.

I recommend everyone should see “Mission: Impossible – Rogue Nation” if they like action-packed sequels that nearly outdo their predecessors.

Grade: A