It’s time the Academy takes motion-capture work seriously because Andy Serkis is incredible in “War for the Planet of the Apes.” His performance throughout the three recent “Apes” films is an expressive and dynamic piece of work.
Two years after Caesar (Serkis) defeated Koba (Toby Kebbel) and prepared for war against humans, Caesar’s battling The Colonel (Woody Harrelson), a genocidal military leader hellbent on exterminating apes. Their recent battle results in significant losses for Caesar, leading him on a quest for vengeance. However, his loyal followers Maurice (Karin Konoval) and Rocket (Terry Notary) grow concerned as Caesar grows increasingly merciless.
“War for the Planet of the Apes” is an epic, brutal, and amazing installment of the franchise. Between the Vietnam War-inspired opening battle, Western-style cinematography, and some thought-provoking moments about evolution and devolution, this is a rare brainy blockbuster.
If you haven’t seen “Rise” or “Dawn,” you should definitely watch those before “War.” This is a trilogy that follows the evolution of a complex protagonist. Caesar has come a long way from a naive being that can only communicate in sign language. He can now communicate in full sentences and is aware of the world’s harsh realities. The humans on the other hand, are another story.
The Colonel is a mad leader that we’ve seen before in film and in history. Think a mixture of Colonel Kurtz (Marlon Brando in “Apocalypse Now”) and Hitler. Harrelson’s performance is insane-yet-restrained, which is enough to overcome the character’s cliches. The final showdown between he and Caesar is an unconventional one that suits both characters.
The underrated Steve Zahn also has a great supporting performance as Bad Ape, a cowardly ape drifter who aids Caesar. He adds much-needed humor to the film without imposing on its dark tone. The film occasionally focuses on Bad Ape being an unlikely hero and Maurice fathering a young mute orphan, which add heart to the film.
As much as I loved “War,” I was disappointed in its black-and-white approach on good and evil. In “Dawn,” we had good apes and humans, and bad apes and humans. This made “Dawn” morally complex since all characters were relatable. “War” goes back to the “Rise” roots with its good apes and bad humans mentality, which made the characters’ arcs simple.
Director Matt Reeves proved himself to be a visionary filmmaker with “Dawn” and “War,” showing he can make a spectacle with brains. Let’s see how he does with his Batman movies.