Scarlett Johansson is best with quiet, expressive roles and action heroines. In “Ghost in the Shell,” she does both and carries the ultimately bland cyberpunk film.
Humans have cybernetic technology and use it to enhance their strength, intelligence, and other traits. Major Mira Killian (Johansson), a cybernetic soldier, hunts for a mysterious cyber-terrorist (Michael Pitt) against her superiors’ orders. After encountering him, Killian recalls her past and realizes that her creators are hiding something.
I haven’t watched the anime, but from what I understand, “Ghost in the Shell” (1995) is one of the greatest anime films of all time. The live-action adaptation is uncertain if it wants to be a slow, artistic sci-fi film in tradition of “Blade Runner” (1982) or more action-packed like “Equilibrium” (2002).
The over-reliance on slow-mo action sequences are distracting from the film’s superb visuals and expressive moments. I enjoy Johansson performing her own stunts, but I was more interested in her character-driven moments. Rupert Sanders’s occasionally mesmerizing direction is best utilized in Killian’s solo scenes. It’s unfortunate there aren’t enough of those moments.
Writing wise, I prefer science fiction that shows the audience its world rather than tell us about it. The writers don’t trust their audience well since most dialogue scenes are exposition-fueled. Furthermore, the characters are emotionless with their delivery, with the exception of Pitt.
Pitt’s performance is cartoonish and I couldn’t tell if he was trying to sound damaged or imitate the Apple Macintosh. The best supporting performance goes to the great Takeshi Kitano as Chief Aramaki. Kitano only speaks Japanese in this role and delivers each line with sass, charisma, and confidence. Why hasn’t he gotten more American roles?!
“Ghost in the Shell” had potential to be a mind-bending sci-fi film due to its visuals, concepts, and Johansson’s compelling performance. Maybe the sequel will expand more on those attributes.