When you encounter another being (human or not), don’t aim a tank at them! “Arrival” is a topical reminder to stay together to solve a problem.
Linguist Louise Banks’s (Amy Adams) class is interrupted by ringing phones, until one student asks to watch the news. We then learn that several large, mysterious space crafts have landed around the world and everyone wants to know why. US Army Colonel Weber (Forrest Whitaker) enlists Banks and theoretical physicist Ian Donnelly (Jeremy Renner) to find answers before conflict escalates.
Much like “10 Cloverfield Lane” last March, “Arrival” is a film you want to watch knowing little about, so this review will be spoiler free. In short, “Arrival” is the most challenging film I’ve seen all year. It’s also beautiful, timely, and a strong contender for best of 2016.
There isn’t a shred of destruction or violence in “Arrival.” Director Denis Villeneuve, who recently directed the grim and brutal “Prisoners” and “Sicario,” trades in nihilism for optimism. Louise is a peaceful protagonist, compared to Villeneuve’s past on-screen protagonists, and her main tool is communication.
The film dives into the science of linguistics, and how it’s important to translate another language, observe tone, and understand the meaning before taking action. Adams delivers an expressive performance as the quirky linguist, arguing her point with military personnel. Her best scenes are in the opening and closing acts, where we learn of her journey.
There’s a unique spin on Louise’s background story that I won’t get into, but it will demand a second viewing. Villeneuve has once again crafted a thought-provoking, gorgeous film that will leave you thinking for days; I’m confident in him directing the upcoming “Blade Runner” sequel.