“The Lobster”

As a single person, I would be fucking horrified to live in the “Lobster” society! No masturbation? No physical contact allowed in the woods? Happiness not guaranteed in relationships? Gah!

“The Lobster” stars Colin Farrell as David, a newly single man who’s transported to a hotel where the guests are put together for matchmaking. If he can’t find a match within 45 days, he’ll be turned into a lobster.

It’s an absurd premise with a Dystopian sci-fi formula. It’s almost predictable that David  escapes the society later and joins a group of rebels in the woods (led by a great Lea Seydoux). The first half is filled with some darkly funny, albeit disturbing moments.

Between a man being punished for masturbating, singles forced to live with one arm shackled behind their backs, and bickering couples being mandated as parents, the satire and horror are funny and rampant.

The second half loses steam when David moves to the woods and finds (what he thinks is) true love with a short-sighted woman (Rachel Weisz). The world building grows less interesting and the quirkier elements seem quirky just to be quirky.

“The Lobster” has a slow pace beginning-to-end, but it’s more noticeable in the second half. Even the beautiful slow motion shots and haunting music score grow redundant after a while.

“The Lobster” offers a refreshingly emotional performance from Farrell and some sharp moments, but I would have liked more world building and resolutions in the second half. Even a montage showing resolutions would have been satisfying. I’m in the minority of not liking this movie, but I’m sicking to my guns!

Grade: C+

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