“Beware… Beware of Crimson Peak.” We hear this line several times throughout Guillermo Del Toro’s gorgeous, violent, and redundant haunted house picture, “Crimson Peak”.
“Crimson Peak” has a line at one point that a character’s novel isn’t a ghost story, but a story with a ghost in it. That sums up the movie well. Mia Wasikowska (“Alice in Wonderland”) plays Edith, a young aspiring writer who marries Thomas (a brilliant Tom Hiddleston), a charismatic engineer. They move Edith into Thomas and his mysterious sister Lucille’s (Jessica Chastain) mansion where Edith discovers her marriage with Thomas isn’t perfect. And why is Lucille insisting Edith drink her tea? Why is Edith constantly woken up in a cliche horror movie fashion by ghosts?
I love Del Toro’s work. I loved both “Hellboy” movies, “Blade II” is my favorite installment in the trilogy, “Pacific Rim” is a criminally underrated monster flick, and “Pan’s Labyrinth” is a damn masterpiece. “Crimson Peak” is still as stunning and bizarre as his previous works, but it doesn’t feel like Del Toro’s heart is in this one.
The basic plot structure of “Crimson Peak” goes something like this – girl has a romantic afternoon with her lover and a standoffish encounter with her sister-in-law. Girl wakes up in the middle of the night and has a disturbing encounter with a ghost who leads her to a secret. This happens at least four times in “Crimson Peak”, and leads to a predictable conclusion.
Wasikowska gives a charming performance as Edith, Hiddleston easily has the best performance and character, giving Thomas a level of complexity, and Charlie Hunnam of “Sons of Anarchy” fame is enjoyable as a hopeless romantic doctor. Jessica Chastain has the weakest role in this movie. She’s wonderfully crazy, but she’s just there for the most part. We don’t get to know what drives her madness.
“Crimson Peak” is worth watching for the visuals and Hiddleston alone, but don’t go in expecting another “Pan’s Labyrinth”.