Would you steal a presumably abandoned cop car filled with loaded guns? What if you knew it belonged to a mustached, morally ambiguous sheriff? “Cop Car” is a clear warning to not mess with cop cars.
“Cop Car” is Jon Watts’s (our new “Spider-Man” reboot director) second film and opens with two friends, Travis and Harrison, wondering in a field and cursing loudly. We learn through dialogue that they’re running away from home and they come across an abandoned cop car. In an extreme case of “boys will be boys”, these naive kids take the car for a joy ride, crossing paths with a dangerous mustached sheriff (the great Kevin Bacon) in the process.
The main appeal for “Cop Car” is Bacon’s menacing and darkly funny performance as Sheriff Kretzler. He’s a unique villain because he thinks he’s smarter than he is. Kretlzer is lucky due to his law enforcement background and much younger adversaries.
Harrison (Hays Welford) and Travis (James Freedson-Jackson) are perhaps two of the most realistic child characters portrayed in film since “Stand By Me” (1986). In fact, they have a darkly funny moment involving an arsenal guns that’s very reminiscent of a particular gun scene in “Stand By Me”. As much as I liked these young knuckleheads, I wondered why are they running away?
I often had questions in the last ten minutes of “Cop Car”. The main one though, who was the villain? It definitely didn’t feel like the sheriff after a while.
We’re introduced to an unnamed bruised man (Shea Wigham) halfway through the movie who becomes a greater danger to the boys than Kretzler. They find this man in the trunk and we’re then uncertain of who the true villain is in the film’s climax. This is because we never learn about Kretzler’s background story or his shady side business.
“Cop Car” is a good coming-of-age thriller, but it could have easily been better without the over-reliance on ambiguity, especially with its maddeningly open conclusion.